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Documentary director James Erskine and Stuart travel to Bratislava for a spectacular day's recording with conductor David Hernando Rico and 60 of his finest musicians.The orchestra are put through their paces with Stuart's adaptations of such titans of the romantic classical repetoire as Debussy Prelude a l'Apres-midi d'un Faune, Rimsky-Korsakov's Scheherazade, Tchaikovsky's Nutcracker and Pathetique Symphony, and Ravel's glorious Piano Concerto in G (with Tom Poster on the keys). September 8th - Strong reviews for CRAZYHEAD soundtrack album....
Meanwhile, tracks like 'The Rapey Van' have intricate and well constructed memorable themes at their core.
The inspiration is clearly a bit of 80s fun as well with well placed and sounding synths that will jiggle your nostalgia bone." Geek Score: 87.2/100 Pete Simons of Synchrotones: "I've become something of a fan of Hancock's since hearing The Last Belle and We're Going On A Bear Hunt. The high-energy grungy side of the score isn't for me, I have to say; but I do like the electronics which often tends to be more laid back and atmospheric. " Darren Rea of Sci-Fi Online: "For those that have been following Stuart Hancock's output (I have, for one), his work on Crazyhead shows another side to his talents.
He has a real knack for lovely, whimsical orchestral writing. It's a very 'current' score, very much in line with what seems popular for television shows these days... This time around Hancock goes a little more electronic and dips his toe into upbeat, funky, rock-based themes.
1994 Das silberne Filmband (Deutscher Filmpreis) für den besten Spielfilm MUTTERS COURAGE 1990 Oscarnominierung für den besten ausländischen Film DAS SCHRECKLICHE MÄDCHEN 1989 Adolf-Grimme-Preis für ZUR FREIHEIT News Robert Giggenbach stand in England für eine neue Folge Pilcher zusammen mit Angela Roy unter der Regie von Marco Serafini vor der Kamera.
Updated - September 2017 September 12th - Recording session for THE ICE KING....